Friday, March 7, 2014

An Update (Finally!): Mike's "Ella" Award, Al's TM Show, Brian's Maybe-Album

A Variety of Updates…..

Apologies again for not offering more updates sooner. Rather than getting into the boring why, let’s dissect some recent goings-on in the Beach Boys world:



In no particular order, let’s start with the “Ella Awards”, which honored Mike Love in late February.
If we are honest with ourselves, most of us had never heard of the “Ella Awards” before. One presumes it has much more to do with philanthropy (not a bad thing of course) on Mike’s behalf rather than some sort of artistic/musical merit.

In any event, the event featured an array of musical guests on stage, and was of interest to Beach Boys fans mainly due to the first appearance by Al and Dave on stage (or in person at all publically) with Mike (and Bruce) since the demise of the reunion in 2012. One had to wonder just how “on the outs” Al and Mike were, remembering that between 1998 and 2011, you could count their joint public appearances on one hand. It’s good to see that they either aren’t as at odds as they were in the 2000’s, or have at least learned to get past differences and still appear together. Al offered the requisite “Help Me Rhonda” backed by more or less Mike and Bruce’s touring “Beach Boys” band, with Jeff Foskett in tow as well, perhaps representing the “Brian camp.” It was a decent-enough performance, but stark proof of how much better the full, large reunion tour band was.



In a post-show essay, Mike expressed gratitude for Al and Dave for appearing, and regret at Brian not appearing. Cue rampant fan speculation, without of course any actual knowledge about whether Brian was invited, and if he was why he may not have attended, and whether he expressed any sentiments to Mike regarding the show. My theory is that their contentious, awkward relationship (both interpersonally and between their “camps’) certainly could have played a role, in addition to Brian or his camp avoiding creating a situation where the entire reunited group appeared, which would lead to a degree of scrutiny that they aren’t interested in at this time.

 

Meanwhile, in early February, Al performed a unique show in New York billed as “Al Jardine & Friends”, with collaborator Larry Dvoskin as well as Blondie Chaplin among the ensemble. A largely acoustic show, with a setlist emphasis on folk and TM-related songs, it was certainly one of the more unique shows Al has put together. Considering the demise of the reunion tour, the lack of substantial touring from Brian (who may or may not have Al back in the band whenever he goes back out on the road), and no apparent invitation from Mike to re-join his version of the “Beach Boys”, we have to once again re-state the obvious: Al should start putting out his own stuff and doing his own shows. Maybe he doesn’t want to do the “club” circuit at age 71. I’m not sure why he doesn’t stay more active. He has the most in-tact voice of the group, and this show proved he can do a pretty darn eclectic setlist (including “TM Song”, “Transcendental Meditation”, and “At My Window” among others).



Fans are also continuing to speculate on Brian’s new album plans. Articles super-hyping up Brian’s recordings with Jeff Beck (and Al) last year seemed to strongly indicate we’d see something before too long, presumably a new Brian album with contributions from Beck as well as Al, Blondie Chaplin, and Dave among others. A late 2013 tour involving all of these guys seemed to reinforce that. But now it all seems up in the air. It still seems strongly likely that Brian will have a new album out this year; he’s still recording, and there’s a “biopic” to promote later this year as well. A few recent Jeff Beck interviews haven’t offered much clarity, other than to indicate Beck isn’t presently working more with Brian, and has no idea when or if the stuff will be released. Beck’s only other insight is that he seems to feel they should have finished the recordings and then went out on tour rather than touring in the middle of the sessions. Yet, Beck also admits they may have grabbed him for the 2013 tour because that was the time he had free on his schedule.

Some hopeful fans have begun to wonder if Brian is prepping something for another full Beach Boys album. The evidence is scant at this stage, with the main pieces of evidence simply being that Brian continues to apparently demo and record new material beyond what he did last year (see the picture above; it's from some sort of 2014 session), and he recently surprisingly brought in Matt Jardine to sing on some sessions (with Blondie Chaplin among others). Matt Jardine later described that he was apparently cutting “guide vocals”, both lead and backing, for new Brian material. This of course raises a bunch of questions. If it’s for a Brian album where Brian would be singing, why is he having someone else cut guide vocals? Also, if he needs someone to cut guide vocals, why is he calling in specifically Matt Jardine? Brian has numerous guys in his backing band, even assuming Jeff Foskett was busy, that could cut simple “guide” vocals.

The main indicator for me that Brian does not have at least any imminent plans for Beach Boys recordings (beyond the obvious; that Mike Love seems to still not be agreeable to Brian’s camp; specifically Joe Thomas, and also sees another album as contingent on writing with Brian from scratch) is that it seems exponentially less likely to launch a group project as he prepares to promote a “Brian Wilson” biopic, titled after a solo Brian song (“Love and Mercy”).



On the touring circuit, there isn’t a great deal to report. Mike and Bruce continue their “Beach Boys” tour. Despite the warm and fuzzies at Mike’s award show, there doesn’t seem to be anything in the works to bring Al and Dave into the touring band. It wouldn’t be nearly as impressive as the reunion tour and band, but it would be nice for Al to get his voice out there in some form. While some of the band members’ ability to get along a bit better publically may have improved, the basic dynamics and economics of the situation have not: Mike knows that bringing Al back into the band will cost more than any increase in revenue Al’s inclusion might bring. The only two times Mike would have received any significant backlash due to lack of “original members” would have been in 1998/99 after Carl and Al were gone from the band, and in 2012/13 in the aftermath of the reunion. Mike braved both of those storms without much ultimate financial hardship as far as touring revenue is concerned (or I should say the “Beach Boys” trademark braved the storm; it’s the thing that sells the tickets), so there’s really no incentive to bring Al or Dave back into the touring band other than all of a sudden trying to look like a bit less of a d**k. Curiously, I don’t believe Al has ever been asked point blank in an interview since 1998 if he would return to Mike’s touring band if an offer was made. As a fan of the group, and of Al’s, and not so much a fan of Mike’s touring band, I’m not even sure whether I’d like to see Al join from a fan perspective. I’m inclined to say no, because I’m not sure how much Al we’d get beyond the standard bits of Al singing “Rhonda”, “Sloop John B”, and a few others. Will Mike want Al to start adding “Lookin’ At Tomorrow”, “At My Window”, etc.?

Brian has booked a few European shows we know of (no indicator as to whether Al or Dave (or Blondie) might be involved), with the suggestion of more fall dates either in Europe or elsewhere to promote a new album and the biopic.

Al and Dave meanwhile don’t seem to have anything going on other than a hand full of bookings under various iterations of the “Surf City All Stars.” After C50, and his unique solo show in New York, it’s a bit disappointing to see Al back to random fairs and corporate bookings singing “Little Deuce Coupe” with Dean Torrence and various outcasts from old touring Beach Boys-related bands. Not that it would be a bad show; I’d go see it.

Tuesday, December 24, 2013

Happy Holidays!

 
 
I know I probably don’t update the page here quite enough to make this daily reading for folks out there, but to any and all who might stumble across this, the folks at Beach Boys Opinion Page (meaning, me!) want to wish all Beach Boys fans a Happy Holidays.
 
I’ve been spinning the Beach Boys Christmas Album quite a bit this year; I’m always glad when I get around to doing that. Check out our section for December 2012 for a sort of "re-review" of the excellent 1998 Beach Boys "Ultimate Christams" compilation.
 
What do we have to look forward to for next year for the group? Not much is set in stone, but it’s likely we’ll get the new Brian Wilson album (and presumably/hopefully some more touring; and hopefully with Al and Dave (and Blondie!) in tow). The Mike and Bruce show have likely already booked shows for 2014, so I would imagine if there’s any chance of another full “reunion”, 2015 would be the earliest we would see that.
 
“Big Beat 1963” was an interesting and fun little curio of a release (review hopefully coming soon!). Nobody seems to know what the “copyright extension” issue means for future releases, so it’s unclear what might make it out in terms of archival material in 2014. We will apparently see the SACD/Vinyl partial album catalog reissues.
 
I’m truly hoping we get more archival releases. Apparently, it was revealed in a recent ESQ interview that there was a seventh “bonus” disc prepared for the “Made in California” set as a retailer exclusive. The deal to do that exclusive somehow fell through. Hopefully that disc will be made available somehow, or the “Beach Boys Central” website will finally launch with some new archival releases in some format.
 
I would implore those who have any control over the situation to keep in mind that the Beach Boys’ fans are getting older and literally dying off. Please put this stuff out while some of us are still alive!
The Beach Boys Opinion Page will strive as well to make more updates and post more commentary in the new year.
 
Hopefully back soon with more comments!

 

Thursday, December 12, 2013

Upcoming Releases - "Big Beat 1963" & Partial Catalog Overhaul via Acoustic Sounds



There are a few interesting things announced on the horizon for Beach Boys fans. First up is the odd compilation "The Big Beat - 1963." What exactly is the story here? Well, read all about it here:

http://www.examiner.com/article/brian-wilson-s-the-big-beat-1963

Basically, we're seeing a bunch of weird activity from record labels housing oldie bands, as there are a bunch of confusing, vague copyright laws floating around that basically dictate that labels have to put out "unreleased" material in order to avoid having it pass into public domain and thus be freed up for anybody to legitimately release. Apparently, this pertains mainly to the odd category of material that has not been "officially" released but does already exist out there. Basically, the labels have to put out anything that has already been bootlegged, because that's the stuff that any label has direct access to and can put out legitimately if it falls into public domain.

As far as this release goes, it's a hodge-podge of demos and tracks with varying degrees of Brian Wilson/Beach Boys involvement. For those that have a fetish for early era Brian productions and collaborations, this will be an interesting release. But this is by no means any sort of "opening of the vaults" of Beach Boys outtake material from 1963. This is odds and ends, sourced from everything from master tapes to acetates to cassette tape dubs. The idea here (as with the supposed/alleged and equally bizarre release of Beatles outtakes from 1963 rumored to take place on the same day) is to simply technically get this stuff "officially" released by the end of this year. To this end, we're seeing download-only releases. December 17th is allegedly the date.

I'll reserve judgment until I hear this collection, but I'm not super enthused about. Some of it is literally pulled from the same sources as bootlegs, so we're not even sure right now how much of this will sound better than what's already out there, and if so, how much better.



Potentially  more interesting is Kevin Gray at Analog Productions taking a crack at a big hunk of the Beach Boys catalog on SACD and high quality vinyl.

On the plus side, this will probably be the best-sounding remasterings to date. That's a big deal. Gray is an excellent engineer (and will make this stuff sound better than recent album remasters).

However, at the risk of sounding negative yet again, I'm not that enthused about this. I own these albums numerous times over, and many of the tracks even more times. I want to see archival studio and live material. Not another milking of the band's catalog. Expanded reissues of each album with a disc of bonus material would be much preferable.

Additionally, they have once again randomly skipped over albums in the band's catalog. They've of course ignored anything post-1973, but have even left gaps in the 1962-1973 timeframe. What's the point? It will be great to hear "Sunflower" and "Holland" and whatnot in SACD quality. But this isn't a full catalog overhaul. The fact that Capitol in the last year or two did the same thing; issued part but not all of the band's catalog in a random fashion, makes this exercise even more puzzling. This also makes it even less likely that we'll see expanded deluxe editions of the albums anytime soon.

We can only hope this full help fund some archival releases, but I'm kind of bored with that contention. It isn't really true, as "Sounds of Summer" sold a butt-load of copies and it took nearly a decade for more substantial archival material to be released.

Hopefully they are independently still planning on something along the lines of the "Beach Boys Central" website; downloads of unreleased material. I don't want to buy "Surfin' USA" again folks. I want to buy some live 1972 and 1975 shows.


Tuesday, November 12, 2013

Review - Panini Beach Boys Trading Cards



I'm not even sure how a review works when it comes to something like this. I'm used to reviewing CDs, or books, or DVDs, and so on. In any event, following up on my previous post, I now have probably way too many of these cards on hand to give some impressions. Overall? A fun item for Beach Boys fans who haven't had much "merch" to purchase over the years. If you don't get caught up in the utterly ridiculous pyramid scheme that is card collecting, and just enjoy whatever cards you get, then this is pure fun.

First things first: As mentioned before, there are "Retail" and "Hobby" variations on these packs. Target stores are starting to get in the "Retail" packs, while most online sources are selling the "Hobby" variation. The two types feature the exact same set of cards. The main difference seems to be that each has one exclusive sub-set ("retail" gets guitar picks, "hobby" gets concert-worn clothing swatches), and the actual breakdown/makeup of packs may be different in terms of proportions of which cards you get.

While Panini offers no guarantee, buying a box does seem to easily yield one base set of 120 cards. The distribution of base set cards seems to be pretty good. I've purchased almost a box's worth of retail cards and got a full hobby box. I was hoping to pull two sets, but no such luck. I still ended up with only one #1 card, while some cards I have triples or quadruples on. This is normal of course.

The base set seems pretty random content-wise. Random photos of the group and individual members, from pretty much all eras. While there are a good amount of early shots, I was pleasantly surprised that they were not afraid to use some not-so-flattering 70's shots of the guys. I honestly never thought a company would make a trading card featuring a photo of 1979 Brian Wilson with the Grizzly Adams beard and "Help Me Rhonda" shirt. Some weird shots are here, in addition to some classic well-known shots. The card backs have random factoids, none of which are new information for hardcore fans. A few of the card backs surprisingly touch on solo activities; one even specifically mentions that Brian is now touring with Al and Dave.

The sub-sets are fun, but frustrating as there is no realistic way to amass much of any sub-set unless you buy numerous boxes. Some of the sub-sets aren't fancier, but simply themed differently. "Honors" picks on random honorably events, from Hollywood Walk of Fame stars to awards and so on. "In their Own Words" feature rather generic quotes from various band members. "Sounds of Summer" focuses on specific songs and singles. "Top 10" is obviously themed.

The more premium-looking cards include a series of album-themed cards that feature foily depictions of albums covers with a record popping out of the top. Some are "Gold" themed if they went gold, and so on. Some simply state "On the Record." We also have "Etchings" which are metallic-looking shiny cards that have a slightly raised head-shot of various band members. They picked some odd pictures for the cards I got, including the circa-1978 drunk-looking Carl. I got one "Artist Proof" which seems to be of dubious note. Apparently each card has a limited run of 99 "artist proofs" that are no different other than being stamped "Artist Proof" on the front and numbered on the back. They may be more rare than the "record" cards, but I frankly would have rather had another one of those, or one of the "etchings."

I did not manage a guitar pick in the loose retail packs I got. I did get the guaranteed two "Concert Gear" cards in the hobby box. I got one each for Brian and David. Interestingly, the card at least claims that these are actual "concert worn" bits of cloth. The cloth is included in a little square in the center of the thick card. The cloth is not covered,  you can touch it.

Other rare sub-sets I didn't get include metal stamping plates (more interesting to card collectors than Beach Boys fans I would imagine), and of course most sought after are the rare actual autographs from the five living members.

All in all, this is a fun diversion for Beach Boys fans. I for one simply have to divorce myself from the idea of "collecting" all the sub-sets, and divorce myself from being annoyed at the card collecting industry (both collectors and the manufacturers) for creating such an odd and manipulative market and style of marketing for these things. Frankly, I'd be happy to see a second "Series" of base cards with more goofy photos of the guys.

If you're interested in getting a full set, I'd say definitely buy a sealed box so statistically you're highly likely to get the full set. If you buy a box's worth through loose packs from different boxes, you will have a tougher time getting the full base set.

How collectible or rare will these be? Beats me. They seem to be selling well online right now, with the few retailers offering full hobby boxes slowly but consistently jacking up the prices. Rare (and not so rare) loose cards have already flooded eBay. I'd love to store an extra box of these away, but I'd rather get another box and open it all up!


Wednesday, November 6, 2013

New Beach Boys Trading Cards

 
 
Announced several months back, and now apparently starting to appear for sale, is a strange item: Beach Boys trading cards. Panini, who I always knew more for their sticker books (which are essentially sticker versions of trading cards), are releasing this set of trading cards based on the band, following a slew of trading card sets out there pertaining to just about every TV show, music artist, comic book, and other media product imaginable.

Above all else, this sort of thing is interesting because the Beach Boys, unlike Elvis or the Beatles, have not released a great deal of “licensed” merchandise over the years. Especially once you discount merchandise sold at concert dates, they have had far fewer items available as far as the usual fare: mugs, plates, statues, and so on. There have been a few Beach Boys tree ornaments over the years I believe, there were the licensed die cast cars released back around 1999, and a few other odds and ends. But rarely something like a huge trading card set.

Unfortunately, Panini is also following the pattern of other sets in introducing a huge amount of “chaser” cards; sub-sets of special cards randomly inserted into packs. This phenomenon started quite a while back, but it began with perhaps one or two small sub-sets of chaser cards. Even in those cases, it was nigh on impossible to collect all the chaser cards unless you either bought cases and cases of cards, or bought individual cards on the secondary market for inflated prices.

I’m sure this new Beach Boys set is typical of other similar sets. But it’s still astonishing that, according to one comment on the Smiley Smile board, this 120-card set ballons to around 800 cards once you factor in all of the “chaser” cards. Apparently, you are either guaranteed or are strongly likely to get the full 120-card base set if you purchase a full box (consisting of 24 packs, with 8 cards per pack). The various chaser cards are allocated based on an elaborate list of ratios of cards-per-pack or cards-per-box. You are guaranteed some amount of these chaser cards in each pack and each box. Further confusing is that packs and boxes are offered in two variations: Retail and Hobby. The former style of packs will feature “collectible guitar picks” as one of the chasers, while the latter instead gets concert-worn swabs of clothing from the currently-living band members. Apparently all other chaser sub-sets will be the same.

Most enticing is the sub-set that includes actual autographs from the living members. We already see fans paying upwards of $200 for a Jardine autograph card (news bulletin: a nicer, larger Jardine autograph can be had for far less; he used to send them out for free when he had a fan club!), and one person is trying to sell a Brian Wilson autograph card for nearly $500. These autograph cards are apparently the rarest; you could conceivably buy boxes and boxes of these cards and not get an autograph card.

A bit of confusion is reigning among the sub-set of Beach Boys fans who actually have any interest in buying these cards. It probably has something to do with the fact that these cards have, in my view, an unclear target audience. The typical collector these days who collects non-sports cards like this usually skews a little younger than the average Beach Boys fan. It makes sense there are a bunch of young hipsters collecting “My Little Pony” or “Walking Dead” trading cards and chaser cards. But even presently it appears Beach Boys fans online are only moderately interested in these cards.
Who is going to stock Beach Boys cards? Hobby shops can obviously either stock them or order them. But they are at this moment not so easy to find. A few re-sellers have them, but are charging seemingly inflated prices for packs and boxes (and that’s not even getting into the strange flood of individual cards flooding eBay) online. Apparently, there are reports that Target stores will be stocking packs of these. How possible it might be to buy a whole box is unclear, but Target may be the best (or only) bet for finding these cards if you don’t want to order online.

I checked a local Target store last night, and they did not yet have these cards. I have a box on order, but how quickly they will actually materialize has yet to be seen. I’m not trying to be cranky about these cards; I actually have just the right amount of enthusiasm for them, for me personally. I’m excited to get my hands on them, but I feel not strong drive to start buying boxes and boxes trying to chase every concert shirt swatch variation.

I was going to post more pics of individual cards, and the breakdown of all the insert/chaser cards, but that information is readily available all over the web, much moreso than actual places to purchase the cards. There are some fun looking cards out there. The compilers apparently were no afraid to use some shaggy, wonky 70's photos. All eras appear to be represented, from the fresh, clean early-mid 60's, to the 70's shaggy era, to the flourescent 80's, and so on, up to 2012.



Monday, October 28, 2013

Review - Brian Wilson & Jeff Beck - Paramount Theatre - Oakland, CA - 10/22/13


After having read for a month about the “odd” pairing of Brian Wilson and Jeff Beck, it was interesting and ultimately quite enjoyable to finally experience this tour in person.

This was only my second trip to Oakland’s Paramount Theatre, the other trip coming in early 2007 to catch Brian and Al together on their “farewell” Pet Sounds tour. I honestly had forgotten how beautiful this theatre is, once you get inside the doors anyway. It’s a wonderfully restored (and/or maintained?) theatre, and not too large so that experiencing a show doesn’t keep you feeling too distanced from the stage.

I managed decent but not amazing seats this time around, in the back half of the floor section. I’ve seen Brian and Al both up close over the last 10-15 years, and got surprisingly nice seats (without the VIP package!) to last year’s 50th Anniversary tour, so I’m not preoccupied with getting amazing seats at this stage.

First off, a quick look at the swag on sale at the merchandise stand. It seemed very standard fare, with a selection of hugely overpriced t-shirts and hoodies, a few other miscellaneous bits; key chains and the like, and my usual picks on tours: I procured a program for $20 and a little poster for $15. The main disappointment I had with the merchandise was that nothing other than the t-shirts had the tour dates/cities listed. The program and poster don’t even list the year, let alone any tour dates. I barely went for the poster, as it’s literally the same as the cover of the program, just elongated. The program is the usual for Brian tours: Interviews with each of the principals (Brian, Jeff, Al, and David). The interviews are the usual fluff, but as interesting as this fluff seems to get. Some interesting photos are included as well, especially some fun early David Marks photos. Blondie Chaplin didn’t get a spot in the program, although strangely he is listed in the “Thanks” section.

The stage setup on this tour allows for both band’s rigs to stand side by side, with some shared space as well. For this tour, Brian continues his stage-right position from last year’s Beach Boys tour behind a pseudo-grand piano, with Jeff, Al, and David moving along stage-left. Paul Mertens is situated behind Al and David, with the rest of Brian’s band behind. As expected, Brian’s band retains all of his members from last  year’s 50th tour, with Mike D’Amico moving to drums plus the addition of long-time Brian bassist Bob Lizik.

Brian usually doesn’t let us down in the unintentional humor department, and provided a laugh for fans before the shows started as he not only visibly and openly milled around on stage behind the stage risers, but at one point literally crossed the front of the stage to wild applause and cheering. As only Brian could do, he barely acknowledged the fans, never turning to the crowd, and giving a tiny wave with one hand, as if to say “pay no attention to me yet, I’m not supposed to be on stage yet.”

The band assembled on stage with no announcement, and immediately launched into their set. Presumably because of the time constraints of two full sets, the band rarely spoke and whizzed through their 20-song set as quickly as possible. This was a good thing, as it kept as many songs in the setlist as possible.  Overall, the band sounded sharp. Brian was usual Brian, generally okay. He actually was in good voice; I didn’t hear any sour notes per se. His main issue was occasionally missing vocal cues and/or momentarily forgetting lyrics. He either isn’t using a teleprompter on this tour, or if he has one, he isn’t using it. Either way, it’s refreshing. Al sounded amazing as always; he should have been given a few more leads. Al audibly added a key element to the backing vocals throughout; his voice even in the backing vocals is what gives the sound even more authenticity than the typical Brian solo tour. David sounded perfect on “Little Bird”, and this was one of the more impressive performances from the entire band. We were lucky to get Blondie Chaplin on this date, and he belted “Sail on Sailor” with pure authenticity, and also provided a nice take on “Wild Honey.” I’m far too young to have been able to catch Blondie back in the 70’s, so it’s cool to have finally seen him in person, and with three other Beach Boys no less. Here’s the full setlist (Brian’s sets as well as the tracks he appeared on with Beck):
    1. Their Hearts Were Full of Spring
    2. California Girls
    3. Do It Again
    4. Don't Worry Baby (Jeff)
    5. Little Bird (David)
    6. Old Man River
    7. Cottonfields (Al)
    8. Sail On, Sailor (Blondie)
    9. Wild Honey (Blondie)
    10. Darlin' (Darian)
    11. Marcella
    12. Heroes and Villains
    13. Pet Sounds
    14. God Only Knows
    15. Sloop John B (Brian and Al)
    16. Wouldn't It Be Nice (Jeff) 
    17. Help Me, Rhonda (Al)
    18. I Get Around
    19. Good Vibrations
    20. Fun, Fun, Fun
    21. Our Prayer (w/Beck)
    22. Child is Father of the Man (w/Beck)
    23. Surf's Up (w/Beck)
    24. Barbara Ann (w/Beck)
    25. Surfin' USA (Brian and Al, w/Beck)
    26. Danny Boy (w/Beck)
I went into this show with moderate knowledge of Jeff Beck, and a feeling that I might even have more patience for Beck’s set than the typical Brian/Beach Boys fan. Having said that, Beck is an amazing and unique guitarist. He put on a fascinating show, but some of the bits were tedious. Instrumental guitar-driven material tends to get a bit repetitive, and that coupled with some jazz-ish noodling from his band meant there were some tedious moments. Beck’s set was also much louder than Brian, and at times the bass (both from the bass guitar and the drums) was so overpowering that it muddied the music up for me. Nevertheless, Beck’s set was enjoyable. Brian’s band came on stage with Beck to perform “Our Prayer”, and the bit of “Child is Father of the Man” leading into Beck’s wonderful instrumental take on “Surf’s Up.” The band added backing vocals, including Al reprising his end vocals. A few of Brian’s guys also added some backing vocals on an additional Beck number.
 
Both bands regrouped at the end for “Barbara Ann”, “Surfin’ USA” (both with unique Beck guitar noodling, including bottleneck slide on “Surfin’ USA”!), and their wonderful rendition of “Danny Boy” with Beck playing the melody backed by Brian’s band on vocals.
 
A wonderful show all around. Was this as good as the Beach Boys 50th Anniversary tour? No, not at all. There was a magic to all five guys being there, not to mention knocking out around 50 songs per show. This show is as close as we can get though. My only complaints would be the obvious required brevity of Brian’s set, which we knew would be the case from the outset, and a lack of additional leads from Al, whose voice continues to stay amazingly intact. It will also be interesting to see if this touring format continues next year. Presumably, Brian’s album will be out, and it features Al, David, and Blondie. In particular, it will be interesting to see if they add Blondie to more shows, or an entire tour. On the one hand, it seems a waste to bring Blondie along to only appear on stage for a few songs. Yet, he doesn’t seem to necessarily fit in extensively on the old vintage material that Brian’s band performs sticking to original arrangements. But it would be amazing to see Brian, Al, David, and Blondie be able to expand into a full setlist, where they could experiment with more rarities and new songs. How about “Funky Pretty” and “Leaving this Town?”